Fleda saw perfectly, and, with a face in which she flattered herself that nothing of this vision appeared, gave him her hand and said: "Good-bye, good-bye." The other visitor meanwhile turned to Fleda. "What is Mrs. Gereth going to do?"!

"Didn't he answer the note in which you let him know that I was in town?" Fleda asked. "Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises.

"You do mean literally everything, to the last little miniature on the last little screen?" Fleda smiled again. "I haven't the least idea." The tone of the question made the idea a possibility for which Fleda had nothing from this moment but terror. "I don't know, Mrs. Gereth; how can I say?" she asked. "I've not seen him for so long; as I told you just now, I don't even know where he is. That's by no fault of his," she hurried on: "he would have been with me every day if I had consented. But I made him understand, the last time, that I'll receive him again only when he's able to show me that his release has been complete and definite. Oh, he can't yet, don't you see, and that's why he hasn't been back. It's far better than his coming only that we should both be miserable. When he does come he'll be in a better position. He'll be tremendously moved by the splendid thing you've done. I know you wish me to feel that you've done it as much for me as for Owen, but your having done it for me is just what will delight him most! When he hears of it," said Fleda, in desperate optimism, "when he hears of it—" There indeed, regretting her advance, she quite broke down. She was wholly powerless to say what Owen would do when he heard of it. "I don't know what he won't make of you and how he won't hug you!" she had to content herself with lamely declaring. She had drawn Mrs. Gereth to a sofa with a vague instinct of pacifying her and still, after all, gaining time; but it was a position in which her great duped benefactress, portentously patient again during this demonstration, looked far from inviting a "hug." Fleda found herself tricking out the situation with artificial flowers, trying to talk even herself into the fancy that Owen, whose name she now made simple and sweet, might come in upon them at any moment. She felt an immense need to be understood and justified; she averted her face in dread from all that she might have to be forgiven. She pressed on her companion's arm as if to keep her quiet till she should really know, and then, after a minute, she poured out the clear essence of what in happier days had been her "secret." "You mustn't think I don't adore him when I've told him so to his face. I love him so that I'd die for him—I love him so that it's horrible. Don't look at me therefore as if I had not been kind, as if I had not been as tender as if he were dying and my tenderness were what would save him. Look at me as if you believe me, as if you feel what I've been through. Darling Mrs. Gereth, I could kiss the ground he walks on. I haven't a rag of pride; I used to have, but it's gone. I used to have a secret, but every one knows it now, and any one who looks at me can say, I think, what's the matter with me. It's not so very fine, my secret, and the less one really says about it the better; but I want you to have it from me because I was stiff before. I want you to see for yourself that I've been brought as low as a girl can very well be. It serves me right," Fleda laughed, "if I was ever proud and horrid to you! I don't know what you wanted me, in those days at Ricks, to do, but I don't think you can have wanted much more than what I've done. The other day at Maggie's I did things that made me, afterwards, think of you! I don't know what girls may do; but if he doesn't know that there isn't an inch of me that isn't his—!" Fleda sighed as if she couldn't express it; she piled it up, as she would have said; holding Mrs. Gereth with dilated eyes, she seemed to sound her for the effect of these words. "It's idiotic," she wearily smiled; "it's so strange that I'm almost angry for it, and the strangest part of all is that it isn't even happiness. It's anguish—it was from the first; from the first there was a bitterness and a kind of dread. But I owe you every word of the truth. You don't do him justice, either: he's a dear, I assure you he's a dear. I'd trust him to the last breath; I don't think you really know him. He's ever so much cleverer than he makes a show of; he's remarkable in his own shy way. You told me at Ricks that you wanted me to let myself go, and I've 'gone' quite far enough to discover as much as that, as well as all sorts of other delightful things about him. You'll tell me I make myself out worse than I am," said the girl, feeling more and more in her companion's attitude a quality that treated her speech as a desperate rigmarole and even perhaps as a piece of cold immodesty. She wanted to make herself out "bad"—it was a part of her justification; but it suddenly occurred to her that such a picture of her extravagance imputed a want of gallantry to the young man. "I don't care for anything you think," she declared, "because Owen, don't you know, sees me as I am. He's so kind that it makes up for everything!"